Inside 'Portscapes' publication box (green=standard and white=limited edition)



Labels: Ben Laloua/Didier Pascal, Portscapes, Rotterdam, SKOR



Labels: Ben Laloua/Didier Pascal, Portscapes, Rotterdam, SKOR



Labels: bik van der pol, Christina Hemauer and Roman Keller, Fucking Good Art, hans schabus, Ilana Halperin, Jan Dibbets, Jorge Satorre, Lara Almarcegui, Marjolijn Dijkman, Paulien Oltheten, Portscapes, SKOR
Production stills while filming the 1969 '12 Hours Tide Object with Correction of Perspective', in the Dutch coast near Zandvoort.
Production stills, '6 Hours Tide Object with Correction of Perspective' in Maasvlakte beach, 8 February 2009. Labels: Jan Dibbets, Maasvlakte 2, Port of Rotterdam Authority, Portscapes, Rotterdam, SKOR
Jan Dibbets, Production stills while filming '6 Hours Tide Object With Correction of Perspective' (2009).
Marjolijn Dijkman, 'Here be dragons' (2009), image presented on a billboard.
Fucking Good Art / Rob Hamelijnck & Nienke Terpsma 'Portscapes_ON AIR / Station Maasvlakte' (2009). Photo: FGA
Ilana Halperin, 'A Brief History of Mobile Landmass' (2009–10), audioguide. Photo: Chantal Karnaat
Paulien Oltheten, Great if two pairs of legs are synchronized for a moment, (2009). Photo: Ben Wind
Christina Hemauer & Roman Keller, 'The Postpetrolistic Internationale' (2009–10). Photo: Paloma Polo / SKOR
Jorge Satorre in collaboration with Jorge Aviña, 'The Erratic. Measuring Compensation' (2010). Courtesy of the artist.Project website: www.portscapes.nl
Projects chronology: http://www.dipity.com/latitudes/PORTSCAPES
Works by Lara Almarcegui (Spain/Netherlands), Bik van der Pol (Netherlands), Jan Dibbets (Netherlands), Marjolijn Dijkman (Netherlands), Fucking Good Art (Netherlands), Ilana Halperin (US/Scotland), Christina Hemauer & Roman Keller (Switzerland), Paulien Oltheten (Netherlands), Jorge Satorre (Mexico), Hans Schabus (Austria), as well as work by the website collaborators Maria Barnas (poetry) and Markus Miessen (interviews).
'Portscapes' will present the results of works commissioned by the Port of Rotterdam realised throughout 2009 by 10 (inter)national artists on the occasion of the beginning of the construction of Maasvlakte 2 – the 2,000 hectare land supplementation project to extend Rotterdam's port, Europe's largest seaport and industrial area. 'Portscapes' has encompassed new projects of various scales under the leitmotif itineraries and destinations – artist-led tours, film screenings, billboards and the production of film and photographic works, audio-guides, radio broadcast and field guides. + info...
The films by Rotterdam-based artists Bik van der Pol and Marjolijn Dijkman, 'Facts on the Ground' (2009–10) and 'Surviving New Land' (2009–10) respectively, will be presented for the first time coincinding with the exhibition.
Overtreders W, the designers of the exhibition, have created semi-transparent display structures for the museum’s Richard Serra Hall, using industrial materials based on the format of cargo containers.
A catalogue (€12,50) and a special-edition catalogue (€50) designed by Ben Laloua/Didier Pascal are co-published by SKOR and the Port of Rotterdam Authority on the occasion of the exhibition. The special-edition includes filmed interviews with the artists as well as the DVD of '6 Hours Tide Object with Correction of Perspective' (2009), the film produced by Jan Dibbets for 'Portscapes'. Publication available at the Museum Boijmans's shop or can be ordered via SKOR by writing to info@skor.nl or calling +31(0)20 672 25 25
Portscapes was commissioned by the Port of Rotterdam Authority with advice and support from SKOR (Foundation for Art and Public Space, Amsterdam) and was curated by Latitudes, Barcelona.
Serra Hall, Museum Boijmans Van Beuningen
Museumpark 20 | 3015 CX Rotterdam, Netherlands
Opening hours: Tue–Sun 11–17h
Free entrance to the exhibition
Press enquiries: Nienke van Beers, Tel: +31(0)20- 672 25 25, nvanbeers@skor.nl
Labels: latitudes, Museum Boijmans, Port of Rotterdam Authority, Portscapes, Rotterdam, SKOR
Jorge Satorre's project for Portscapes had its beginnings in the eastern part of the Netherlands with a 3-tonne gneissic granite rock from the Svecofennian age, approximately 1.9 billion years ago. Following the artist’s fascination with the environmental compensation practices being instigated alongside the construction of Maasvlakte 2, his project consisted of returning the rock to where it once came from in Sweden – an act of synthetic restitution and transnational sculptural offsetting. The boulder has found a permanent home at the Wanås Foundation, near Knislinge in southern Sweden [1]. The boulder was transported from Erica, in the north east of The Netherlands, to Knislinge at the beginning of January (see report on the Swedish newspaper Kristianstadsbladet).

Not insignificantly, the celebrated Land art work 'Broken Circle' (1971) by Robert Smithson, sited in a working quarry near Emmen, incorporates such a seemingly immovable boulder at its centre. Satorre’s reverse geological gesture is also reflected in the fact that much of the existing and future sea defence in the port area will be made from rock brought from Scandinavia. The artists offers an account of the process through drawings, which incorporates both actual and imagined details. One such detail depicts an imagined protest at the beginning of the boulder’s homeward journey – see post 2 October 2009.
Jorge Satorre's project was produced in the context of 'Portscapes', an accumulative series of newly commissioned projects produced in the context of the 2,000 hectare extension to the Port of Rotterdam, the project Maasvlakte 2.Labels: environmental compensation, Jorge Satorre, Maasvlakte 2, Museum Boijmans, Port of Rotterdam Authority, Portscapes, Robert Smithson, SKOR, The Netherlands, The Wanås Foundation
Labels: Christina Hemauer and Roman Keller, Fucking Good Art, hans schabus, Ilana Halperin, Jorge Satorre, Lara Almarcegui, Marjolijn Dijkman, Paulien Oltheten, Port of Rotterdam Authority, Portscapes, SKOR
Latitudes' 'Portscapes' page has been updated with new flickr slideshows for each project (see under each artist name) and incorporating a new page for the 'Portscapes' exhibition which will be on view at the Museum Boijmans van Beuningen, Rotterdam, The Netherlands, from the 5 February until the end of March 2010 (date TBC).
The Museum Boijmans exhibition will present the year-long commissioning series with works that have been produced in and around Maasvlakte 2, the ongoing extension to the Port of Rotterdam, with works by 10 artists: Lara Almarcegui, Bik van der Pol, Jan Dibbets, Marjolijn Dijkman, Fucking Good Art, Ilana Halperin, Roman Keller & Christina Hemauer, Paulien Oltheten, Jorge Satorre and Hans Schabus. 'Portscapes' also involved artist Maria Barnas and the London and Zurich based architect, researcher, educator and writer Markus Miessen as website collaborators.
Portscapes is a series of art projects commissioned by the Port of Rotterdam Authority with advice and support from SKOR (Foundation for Art and Public Space, Amsterdam) and is curated by Latitudes.Labels: Flickr, Museum Boijmans, Port of Rotterdam Authority, Portscapes, Rotterdam, SKOR
–ENG–Bus Tour – Portscapes public art projects on the Maasvlakte, Rotterdam
On Sunday 8 November SKOR and the Port of Rotterdam Authority are organising a tour coinciding with the 4th International Architecture Biennial Rotterdam. The tour is programmed in the context of Portscapes, a series of art projects related to the construction of the Maasvlakte 2 commissioned by the Port of Rotterdam Authority. The Maasvlakte 2 project is the ongoing extension of the port by 2,000 hectares, which will be constructed in the North Sea in the next five years.
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PROGRAMA 8 NOVIEMBRE, 9.45-15hs (Nota: programa sujeto a cambios de última hora)
09.45 am – Salida desde NAI Rotterdam, Museumpark 25 3015 CB, Rotterdam
Durante el recorrido se podrá escuchar mediante auriculares una entrevista al ecologista, botanista, y arqueólogo Hans Aarsman realizada por el duo FGA durante su residencia en un container emplazado en el Maasvlakte, desde donde recogieron conversaciones temáticas y exploraciones de campo. + info...
10.45 am – Visita de terrenos baldíos por Lara Almarcegui y el botanista Remko Andeweg.
La artista española afincada en Rotterdam Lara Almarcegui ha publicado una guía en formato periódico en la que se recoge su investigación entorno a los actuales terrenos baldíos que pueden encontrarse a lo largo de puerto de Rotterdam. En contraste con la gran planificación que circunda el futuro Maasvlakte 2, Almarcegui se interesa por los espacios definidos por la aparente falta de diseño y desarrollo. El público navegará el puerto como un territorio interconectado con la ayuda de esta guía que, como ha manifestado la artista, "actuará como una herramienta para conocerlo mejor (...) para ver cómo el territorio está cambiando. En el futuro, cuando la mayoría de estos terrenos se vean modificados, la guía actuará como un documento histórico que describirá cómo fue el puerto en el 2009".
12.00 am – Visita del centro de visitantes Futureland y almuerzo
Durante el viaje se podrán ver las vallas publicitarias de los artistas Marjolijn Dijkman, Jorge Satorre, Paulien Oltheten y Hans Schabus. A la llegada Latitudes, comisarios de 'Portscapes', introducirán los proyectos.
1.00 pm – Visita de las obras presentadas en Futureland y alrededores
Visita de las obras de Paulien Oltheten y Hans Schabus así como la audioguía 'A Brief History of Mobile Landmass' realizada por Ilana Halperin. La audioguía narra fragmentos reales y ficticios recogidos a partir de la investigación de la artista y expertos entorno a volcanes y estudios de campo relacionados con la presente construcción del Maasvlakte 2 – escuchar capítulos o descargar archivos aquí
1.30 pm – '
Postpetrolistic Internationale', performance de Roman Keller & Christina Hemauer
El proyecto de los suizos Roman Keller & Christina Hemauer
comienza con el transporte de un escenario a lo largo del Rin, desde Basilea (donde el Rin abandona Suiza) y cerca de donde viven los artistas, hasta Rotterdam (donde el Rin desemboca en el mar) - léase post 30.10.09. A su llegada un coro cantará la 'The Postpetrolistic Internationale', un himno social compuesto por los artistas en colaboración con el músico y compositor Mathias Vetter, que proclama el comienzo de una nueva era donde el petróleo pertenece al pasado. Los días 7 y 8 de noviembre un coro local interpretará este himno de esperanza sobre el escenario en pleno paisaje industrial, para poner en perspectiva la historia evolución de hombre y su relación con los combustibles fósiles y el uso de la energía. Ésta será la primera vez que se cantará en inglés.
2 pm – Regreso al NAI Rotterdam con varias paradas durante el recorrido a los terrenos valdíos seleccionados por Lara Almarcegui y obras de Paulien Oltheten
3 pm – Llegada a NAI Rotterdam. Fin de trayecto.Labels: Christina Hemauer and Roman Keller, Fucking Good Art, hans schabus, Ilana Halperin, Jorge Satorre, Lara Almarcegui, Paulien Oltheten, Port of Rotterdam Authority, Portscapes, SKOR



The public domain and human behaviour is the starting point for the work of Paulien Oltheten (1982), though she has described her approach as closer to that of an anthropologist rather than artist. With her still and video cameras, she generally searches with apparent casualness for moments when there is contact between people, objects and public space. On the Maasvlakte, Oltheten was faced with the fact that the familiar frame of reference of natural elements, such as trees, bushes and people, was almost completely lacking. Oltheten decided to make use of this alienation by arranging meetings with people. This resulted in a series of photographs and two short video pieces. These stagings mostly take place in locations on the Maasvlakte that will disappear or be displaced during the coming years. The photographs and videos are sometimes variations on the theme of ‘one becomes two’, referring to the Maasvlakte, of which there will later be two.
Portscapes is a series of public art commissions initiated by the Port of Rotterdam Authority with advice and support from SKOR (Foundation for Art and Public Space, Amterdam) and curated by Latitudes. www.portscapes.nlLabels: environmental compensation, Jorge Satorre, Maasvlakte 2, Paulien Oltheten, Port of Rotterdam Authority, Portscapes, Rotterdam, SKOR