Latitudes

25 June 2009

Materials presented at 'NO SOUL FOR SALE'

During 'NO SOUL FOR SALE' we are presenting several publications and paraphernalia related to our projects, including:

– Compendium of essays, artists' projects, etc. 'Land, Art: A Cultural Ecology Handbook' (Royal Society of Arts/Arts Council England, 2006)
– Magazine UOVO #14 'Ecology, Luxury and Degradation' (The Bookmakers Ed., Summer 2007)
– Exhibition catalogue 'Greenwashing. Environment: Perils, Promises and Perplexities' (The Bookmakers Ed., February 2008)
– Artist book by Simon Fujiwara 'The Museum of Incest: A Guide' (Archive Books, May 2009)

We also have DVDs of Jan Dibbets' recent film '6 Hours of Tide Object with Correction of Perspective' (as part of Portscapes) and a public sculpture produced in October 2008 by Lawrence Weiner on occasion of his exhibition 'THE CREST OF A WAVE' at Fundació Suñol, Barcelona (we also have the exhibition booklet available).

The Bruce High Quality Foundation also have a computer available from where visitors can burn DVDs for $5 as well as some of their publications.

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24 June 2009

Latitudes' temporary office in 'NO SOUL FOR SALE' with a 'scenario' by The Bruce High Quality Foundation

Transposing our daily operations from Barcelona to New York's 22nd Street, Latitudes is presenting its recent publications, project-related paraphernalia and documentation. The office ‘scenario’ is conceived by the artist group The Bruce High Quality Foundation, incorporating dining furniture from the abandoned 1983 Burger King from Governor’s Island (see images above and below), where they have recently filmed 'Isle of the Dead'. This zombie movie about the death of culture in New York will be premiered during Creative Time’s ‘This World & Nearer Ones’ (opening June 27,2–4pm). Latitudes first collaborated with Bedford-Stuyvesant-based The Bruce High Quality Foundation for the group exhibition ‘Greenwashing. Environment: Perils, Promises and Perplexities’ (Fondazione Sandretto Re Rebaudengo, Turin, Italy, February–May 2008). Touching on themes such as gentrification and public space, satire and self-promotion, its activities have included reality TV, films, tableaux vivants, photography, protests, installations, merchandising and a production based on the musical Cats.

During NO SOUL FOR SALE we are also showing Jan Dibbets6 Hours Tide Object with
Correction of Perspective
(1969/2009) (8 mins.) as well as the 'making of' the film (20 mins). Shot in February 2009 and premiered on 14 June in Rotterdam, this Dibbets work is the inaugural project of Portscapes, the Latitudes-curated commission series taking place throughout 2009 in and around Maasvlakte 2, a 5000 acre extension to the Port of Rotterdam, The Netherlands.

NO SOUL FOR SALE: 24–28 June, 1–9pm. Free admission.
28 June, 6–7pm: Screening three films by The Bruce High Quality Foundation

X INITIATIVE: 548 West 22nd Street, New York, NY 10011 (former Dia Center)
GETTING THERE: C or E train to West 23 Street station, and walk west on 22nd towards X

All images: Latitudes | www.lttds.org

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30 April 2008

James Yamada's Public Art Fund Project, New York

Unveiled on Monday "this new sculpture by James Yamada entitled Our Starry Night, will be on view at Doris C. Freedman Plaza at Fifth Avenue and 60th Street. Built from powder coated aluminum and punctuated with 1,900 colored LED lights, Our Starry Night is a 12-foot-tall sculpture that acts as an interactive passageway to Central Park."

As visitors to the park walk through the Public Art Fund Project sculpture at all hours of the day and night, it will illuminate in response to each person individually. When visitors walk through the portal in the piece, they trigger a metal detector hidden inside the structure's casing. This activates the LED lights that perforate the exterior of the sculpture. Common everyday metal objects such as cell phones, keys, belts, jewelry, cameras, computers, and the like will trigger the lights; the luminosity and the light patterns seen in the piece will correspond to the quantity of metal detected. Our Starry Night is literally activated by the public, reinforcing the notion that art — and particularly public art — is dependent on the people around it." (until October 28 2008)

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